(Source: natazilla, via anygoddamnedcolleen)

apiphile:darksilenceinsuburbia:

Lea Bradovich. Queen Bee come hither.

life goal

(via anygoddamnedcolleen)

ianbrooks:

Waves by Daniel Palacios

Daniel’s installation consists of two turbines with a long piece of rope tied between them, oscillating it to amazing, whiplash-like speeds that emulate the visual imagery of sound waves. Bonus: the rope cuts through the air at such a high velocity that it creates its own sound waves which you can hear in the video below:

(via: faithistorment)

ianbrooks:

Underwater Ink Photography by Alberto Seveso

Seveso’s silky plumes of technicolored magma that seems to flow up from vents in the ocean has a slightly more mundane explanation: the artist drops different colored inks into water and captures the velvety aftermath, though the results are just as stimulating.

Artist: behance / website (via: colossal)

Such a simple thing, yet SO STUNNINGLY BEAUTIFUL.

I just watched Kwaidan (1964) recently and they used black ink in water for the title sequence.  So beautiful.

scootermoto:

Here’s a Mongolian Robin Hood. Who is a girl. I’ve named her Sarangerel for now!

I am in favour of this

(via anygoddamnedcolleen)

forwhenifeellikesharing:

Jerry Wayne Downs Psychoradiology - Staircase No. 3

I love that the steps can be seen beneath the water.

(via anygoddamnedcolleen)

nannaia:

Fashion Timeline History of Vietnamese Clothing (and Ao Dai).

A few of my refs here.

I love historical clothing and seeing how it evolves. I’ve longed to see the evolution of Vietnamese clothing but always came up empty handed due to lack of information… until now. I owe a lot of the references to the documentary “Searching for Vietnamese Clothing” (which impressively took the filmmaker’ 3 decades to research) and the sources on the Internet. I created this timeline because as a visual person, I like to know how clothing changed by seeing it side by side.

I attempted to make a timeline with only primary references (i.e. paintings, sculptures, and photographs from that time period).  I tried to stay true to the original sources’ as much as possible but I can’t say that this is completely accurate. A few art pieces were really hard to decipher (the sitting Buddhist statues in particular) and not being able to see them in person required me to take some educated guesses. I used my own color preferences with the statues that did not have color to reference from. Regrettably I had to skip a few early dynasties because artifacts of those eras seem to have been lost to time or too stylized.

Continually a work in progress and more may be added.

Artist Observations:

*Due to approximately 1,000 years of various periods of Chinese domination, the clothing inevitably shares qualities with Hanfu. Regardless, there are tell-tale differences. Dong Son Culture (fig. 1) is the time period before any Han influence takes place.

* The colors and textile in Fig. 1 is largely hypothetical. I have a feeling that the Dong Son culture resembles the ethnic tribes still in VN and took inspiration from there. The pattern on her yellow sash thingy (words fail me, bah) came from an Ao Dai which coincidentally had a pattern that came from a Dong Son drum. Coming full circle here. Lol.

* On average, people wore 3-5 layers of clothing. The climate could be cold (e.g. the Northern regions) and 16-18th century scarves and gloves have been excavated. [link]

* Sleeves could reach to 40cm and were typically the length of chin to waist in the Le Dynasty.

* Skirts were banned in 1826 as they were deemed to be “unseemly”. Not all women followed suit as it was easier to work in skirts than pants.

* Buttoned up collars and buttoned clothing does not seem to appear until the 19th century (perhaps late 18th century at the earliest). Interestingly this change seems to coincide with the advent of French Imperialism/Colonization. Collars started rather low but gradually got higher and closer together.

* The Ao Tu Than (Fig. 9, 10 and 12) is still around today but as it stopped evolving in the 20th century I decided to concentrate on the Ao Dai (long shirt).

* The conical rice hat was originally worn by men (which can be seen in many photographs with Nguyen dynasty soldiers) and only became part of women’s wear sometime in the 20th century.

* Le Dynasty wins for being the most stylish and varied. IMO.

(via anygoddamnedcolleen)

ianbrooks:

Aquatic Eatery by Tanya Casteel

Marine animals dont just sing and dance a league beneath the sea, they also make great dinnerware! Tanya’s designs use stencils of cephalopods (and other moist-preferring creatures) that are fired in the kiln, making them a part of the glaze and incapable of washing off in seawater. All her designs are one of a kind and can be purchased at her etsy.

Artist: flickr / website

lindentea:

Ghibli Museum stained glass painting by nikkorglass on Flickr.

I WANT IT

(via ushishir)

knowyourmeme:

GPOY

KYMdb - CAPTCHArt

theartofanimation:

Yan Nascimbene

(via meatandsarcasm)

yama-bato:

Japanese Chiyogami

The Black with Gold Waves Chiyogami is silkscreened onto machine-made sheets of mixed kozo and sulphite. Japanese Chiyogami is a very cooperative and beautiful paper that is an excellent choice for bookbinding, collage, greeting cards, box making, book arts, and jewelry.

(via ushishir)

kateoplis:

Auroville (City of Dawn), India, founded in 1968 by Mirra Alfassa and designed by architect Roger Anger.

ohmyasian:j-p-g:Ordinary Man [ 凡 人 ] (via Obachyan)

2062. Ordinary Man [ 凡 人 ]. Such an interesting representation of Japanese characters.

miss-mary-quite-contrary:

The Tire Art of Wim Delvoye